“Some of the more didactic critics asked in their reviews, “What kind of film is this — is it a love story, is it a thriller, is it a political story?’ You could say that it unsuccessfully fails to fuse these elements, but to ask why deal with all those elements together, why not choose [...]

[Read more →]

“The interesting thing about Flesh+Blood is that when Paul was looking for music, he went to Luc Van de Ven, who has a record company, Prometheus Records, and he said, ‘What do you think, what kind of music should I use?’ and Luc played him Conan. That’s the score that took me to Paul. I [...]

[Read more →]

“I’ve always have been saying and have been saying for years that the position of the camera is as important as what you’re photographing. A dirty word to me is ‘coverage’. You know, ‘two shot’. ‘Over the shoulder’. It’s stuff you see all the time and it just drives me crazy because this to me [...]

[Read more →]