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	<title>Comments on: Klute (1971)</title>
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	<description>Film reviews and commentary tonight, before I forget tomorrow</description>
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		<title>By: Michael</title>
		<link>http://thisdistractedglobe.com/2008/04/21/klute-1971-2/comment-page-1/#comment-13169</link>
		<dc:creator>Michael</dc:creator>
		<pubDate>Thu, 20 Jan 2011 11:05:01 +0000</pubDate>
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		<description>I did enjoy every single minute of this movie which seems to be a blue print for all the &quot;amour fou&quot; relations in the years to come. The sound of the telephone and the piano along with lots of scenes shoot the dark are creating a chilling atmosphere. Loved Donald Sutherland vulcanesc facial expression and Fondas powerfully eloquent dominance over her paying clients.</description>
		<content:encoded><![CDATA[<p>I did enjoy every single minute of this movie which seems to be a blue print for all the &#8220;amour fou&#8221; relations in the years to come. The sound of the telephone and the piano along with lots of scenes shoot the dark are creating a chilling atmosphere. Loved Donald Sutherland vulcanesc facial expression and Fondas powerfully eloquent dominance over her paying clients.</p>
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		<title>By: John Bessa</title>
		<link>http://thisdistractedglobe.com/2008/04/21/klute-1971-2/comment-page-1/#comment-11200</link>
		<dc:creator>John Bessa</dc:creator>
		<pubDate>Wed, 15 Dec 2010 22:42:11 +0000</pubDate>
		<guid isPermaLink="false">http://thisdistractedglobe.com/2008/04/21/klute-1971-2/#comment-11200</guid>
		<description>What I think everybody misses is that this film, in its context, is in with Laurence of Arabia and Dr Zhivago.  The lenses and film were the best--bokeh to die for.

While old-school NYC isn&#039;t the Arabian desert or the Russian tundra, it is where I grew up, so...</description>
		<content:encoded><![CDATA[<p>What I think everybody misses is that this film, in its context, is in with Laurence of Arabia and Dr Zhivago.  The lenses and film were the best&#8211;bokeh to die for.</p>
<p>While old-school NYC isn&#8217;t the Arabian desert or the Russian tundra, it is where I grew up, so&#8230;</p>
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		<title>By: piccolaret</title>
		<link>http://thisdistractedglobe.com/2008/04/21/klute-1971-2/comment-page-1/#comment-6920</link>
		<dc:creator>piccolaret</dc:creator>
		<pubDate>Tue, 03 Mar 2009 23:08:41 +0000</pubDate>
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		<description>Very wonderful movie even after all this time ! Pakula perfectly manages the different elements: the script (a little bit complex), the photo of NYC, lights, decors, music, sets, the end also. The poisonous atmosphere is totally convincing. What a casting too: Sutherland, ambiguous, seducing, and Fonda, real and gorgeous, impressive and destroyed. Realy top. A movie to see and see again. Just a lesson.</description>
		<content:encoded><![CDATA[<p>Very wonderful movie even after all this time ! Pakula perfectly manages the different elements: the script (a little bit complex), the photo of NYC, lights, decors, music, sets, the end also. The poisonous atmosphere is totally convincing. What a casting too: Sutherland, ambiguous, seducing, and Fonda, real and gorgeous, impressive and destroyed. Realy top. A movie to see and see again. Just a lesson.</p>
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		<title>By: Joe Valdez</title>
		<link>http://thisdistractedglobe.com/2008/04/21/klute-1971-2/comment-page-1/#comment-4652</link>
		<dc:creator>Joe Valdez</dc:creator>
		<pubDate>Tue, 22 Apr 2008 20:10:01 +0000</pubDate>
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		<description>Chuck: Jane Fonda is strong all the way through this, from her scenes at the psychiatrist&#039;s office near the beginning of the picture to the climax where she figures out she&#039;s probably not going to make it out of the room she&#039;s in alive. Sutherland&#039;s character is a perfect complement to what she does and he is very very good, but Fonda is a revelation. For anyone studying David Fincher, &lt;em&gt;Klute&lt;/em&gt; would probably be the first lesson of class. Thanks for commenting!</description>
		<content:encoded><![CDATA[<p>Chuck: Jane Fonda is strong all the way through this, from her scenes at the psychiatrist&#8217;s office near the beginning of the picture to the climax where she figures out she&#8217;s probably not going to make it out of the room she&#8217;s in alive. Sutherland&#8217;s character is a perfect complement to what she does and he is very very good, but Fonda is a revelation. For anyone studying David Fincher, <em>Klute</em> would probably be the first lesson of class. Thanks for commenting!</p>
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		<title>By: Chuck</title>
		<link>http://thisdistractedglobe.com/2008/04/21/klute-1971-2/comment-page-1/#comment-4649</link>
		<dc:creator>Chuck</dc:creator>
		<pubDate>Tue, 22 Apr 2008 12:40:22 +0000</pubDate>
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		<description>I need to revisit this picture, I loved it a few years ago, particularly Sutherland&#039;s performance, but don&#039;t remember it well for some reason. Ialso recall a particularly strong scene between Fonda and a client near the beginning of the picture.</description>
		<content:encoded><![CDATA[<p>I need to revisit this picture, I loved it a few years ago, particularly Sutherland&#8217;s performance, but don&#8217;t remember it well for some reason. Ialso recall a particularly strong scene between Fonda and a client near the beginning of the picture.</p>
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