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	<title>Comments on: I Confess (1953)</title>
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	<description>Film reviews and commentary tonight, before I forget tomorrow</description>
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		<title>By: Justine</title>
		<link>http://thisdistractedglobe.com/2007/10/23/i-confess-1953/comment-page-1/#comment-2187</link>
		<dc:creator>Justine</dc:creator>
		<pubDate>Mon, 29 Oct 2007 18:57:58 +0000</pubDate>
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		<description>Don&#039;t be too impressed with my geography skills because I live in Quebec (Montreal to be exact, but I have visited Quebec City). I agree with you on the German Expressionism, even the dream feels out of tone from his usual approach. It&#039;s interesting that the French New Wave filmmakers really adored this, and many considered it among his best work.</description>
		<content:encoded><![CDATA[<p>Don&#8217;t be too impressed with my geography skills because I live in Quebec (Montreal to be exact, but I have visited Quebec City). I agree with you on the German Expressionism, even the dream feels out of tone from his usual approach. It&#8217;s interesting that the French New Wave filmmakers really adored this, and many considered it among his best work.</p>
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		<title>By: Joe Valdez</title>
		<link>http://thisdistractedglobe.com/2007/10/23/i-confess-1953/comment-page-1/#comment-2132</link>
		<dc:creator>Joe Valdez</dc:creator>
		<pubDate>Sun, 28 Oct 2007 01:20:54 +0000</pubDate>
		<guid isPermaLink="false">http://thisdistractedglobe.com/2007/10/23/i-confess-1953/#comment-2132</guid>
		<description>Jeff: I had never even heard of &lt;a href=&quot;http://en.wikipedia.org/wiki/Armond_White&quot;&gt;Armond White&lt;/a&gt; before you pointed this out, so thanks! In terms of suspense, &lt;em&gt;I Confess&lt;/em&gt; is not very satisfying at all, with a hero who remains passive throughout, but when you look at it purely in terms of style, it ranks among Hitchcockâ€™s boldest films.

Damian: Youâ€™re right. There was suspense in the film, just a different type. I couldnâ€™t get past how passive the hero was. I know a priest canâ€™t very well go around getting in pub brawls, but the original script was supposed to have been much more charged than the finished product ended up being.

Justine: I&#039;d never even heard of Quebec City before this movie, so your geographic skills impress me. The visual cues in this movie seemed inspired by German expressionism, &lt;em&gt;Dr. Caligari&lt;/em&gt; and so on. Cobblestone streets, spooky angles or shadows never go out of style.</description>
		<content:encoded><![CDATA[<p>Jeff: I had never even heard of <a href="http://en.wikipedia.org/wiki/Armond_White">Armond White</a> before you pointed this out, so thanks! In terms of suspense, <em>I Confess</em> is not very satisfying at all, with a hero who remains passive throughout, but when you look at it purely in terms of style, it ranks among Hitchcockâ€™s boldest films.</p>
<p>Damian: Youâ€™re right. There was suspense in the film, just a different type. I couldnâ€™t get past how passive the hero was. I know a priest canâ€™t very well go around getting in pub brawls, but the original script was supposed to have been much more charged than the finished product ended up being.</p>
<p>Justine: I&#8217;d never even heard of Quebec City before this movie, so your geographic skills impress me. The visual cues in this movie seemed inspired by German expressionism, <em>Dr. Caligari</em> and so on. Cobblestone streets, spooky angles or shadows never go out of style.</p>
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		<title>By: Justine</title>
		<link>http://thisdistractedglobe.com/2007/10/23/i-confess-1953/comment-page-1/#comment-2128</link>
		<dc:creator>Justine</dc:creator>
		<pubDate>Sun, 28 Oct 2007 00:54:17 +0000</pubDate>
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		<description>I like this film more than most, but I&#039;m somewhat biased as I&#039;m completely in love with Quebec City and the film is a beautiful showcase of it. Hitch&#039; uses the &quot;ancient&quot; surroundings to his advantage, using the dark and twisting lanes and the ever present cross to work at Clift&#039;s character.</description>
		<content:encoded><![CDATA[<p>I like this film more than most, but I&#8217;m somewhat biased as I&#8217;m completely in love with Quebec City and the film is a beautiful showcase of it. Hitch&#8217; uses the &#8220;ancient&#8221; surroundings to his advantage, using the dark and twisting lanes and the ever present cross to work at Clift&#8217;s character.</p>
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		<title>By: Damian</title>
		<link>http://thisdistractedglobe.com/2007/10/23/i-confess-1953/comment-page-1/#comment-2044</link>
		<dc:creator>Damian</dc:creator>
		<pubDate>Fri, 26 Oct 2007 00:07:28 +0000</pubDate>
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		<description>Another Hitchcock film that I fnally saw a short while ago and which I really liked. I found that &lt;i&gt;I Confess&lt;/i&gt; was more suspenseful in an emotional/spiritual sense rather than a visceral/psychological one (as was typical with Hitchcock).</description>
		<content:encoded><![CDATA[<p>Another Hitchcock film that I fnally saw a short while ago and which I really liked. I found that <i>I Confess</i> was more suspenseful in an emotional/spiritual sense rather than a visceral/psychological one (as was typical with Hitchcock).</p>
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		<title>By: Jeff McM</title>
		<link>http://thisdistractedglobe.com/2007/10/23/i-confess-1953/comment-page-1/#comment-2030</link>
		<dc:creator>Jeff McM</dc:creator>
		<pubDate>Thu, 25 Oct 2007 07:09:37 +0000</pubDate>
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		<description>Armond White also wrote a rave about this when the DVD was released a couple of years ago.</description>
		<content:encoded><![CDATA[<p>Armond White also wrote a rave about this when the DVD was released a couple of years ago.</p>
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